So, the Official Charts Company is doing a streaming chart. This is VERY cool.
What's awesome is that they've split out the data between the streaming and the sales chart, so we can pruriently nose around and see which acts are selling more than they're streaming and vice versa.
It's the vice versa that interests me - I knocked together the chart above which shows which artists are higher up the sales chart than the streaming one (or the other way round).
(I know, I know, there's no axis labels, doesn't take absolute value into account etc etc etc, it'sjust to give a visual representation of which bands are more likely to be bought than only listened to. Don't give me any guff, I'm in a rush.)
Anyway, I suspect the story in here is around which bands are popular vs which ones are actually selling stuff. For example, are we prepared to check Lana del Ray out on the Internet but not commit to purchase? Or how about Florence & The Machine, wildly popular, but still not 'pop' enough to properly break through yet? Both feel about right, with nothing but gut telling me they've got a small problem with the final conversion-to-sale stage.
There are a few oddities (I don't think One Direction or Adele are struggling at all, for instance), but when you consider Coldplay quite famously refused to put their latest on Spotify initially, and then see that they're noticeably higher up the streaming chart than the sales one, you suspect the labels have had this data for ages, which puts their motivation into a lot clearer focus.
So - I like these numbers, and I'll keep an eye on them since I reckon this is the first true chart data we've seen that really starts to speaks about fame vs the actual value of that fame.







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